Advance warning--the first few seconds of this cut are an ad for some fucking cell phone service that sends you concert announcements via instant messaging or some such. There are at least two other versions of this tune by The Submarines on YouTube, with no commercials, but the words are easiest to understand on this one.
And in case you still had a bit of trouble, this sample from the lyric should show you why it's worth another listen.
Plastic bottles, imported water Cars we drive wherever we want to, Clothes we buy, it's sweatshop labor, Drugs from corporate enablers. We're not living the good life Unless we're fighting the good fight, You and me just trying to get it right.
Of course to take the cheap irony of the opening plug for the cell service in this particular video into whole rich realms of cultural self-negation, consider that if "You, Me And The Bourgeoisie" struck you as slightly familiar, there's a reason. It has recently been used in a commercial for Apple, Inc.'s hot new rollout, the iPhone 3G. Oy...
I still like it, and have always been a sucker for musicians trying to do this kind of linking of the personal and political. So whaddaya think? Have I played myself here, going for the okey-doke from a buncha sellouts? Or is this a song that belongs to the forces of sweetness and light, but is so catchy and persuasive that it can be loved even by those without a clue (think Timbuk 3's "Future's So Bright...")?
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[Take Five. Every once in a while on Friday, Fire on the Mountain picks a category and lists five cool things in it. It's up to you, dear reader, to add your own in the Comments section. Just click on the word "comments" at the bottom of the piece and you're off to the races.]
The most recent piece I posted here, a week ago on the Killer Coke campaign, I introduced with a pop music video speaking unkindly about drinking Coke. On the whole I don't like music videos much--I prefer to listen to listen to my music unmediated by a set of images somebody else has conjured for me to associate with a tune.
But I still love YouTube, which is where I link the bulk of the tunes I post here at FotM from (in fact, it's much easier to embed videos than simple sound files).
One big fat reason is that YouTube gives us the unprecedented ability to see musicians of the past (and present) in live performance. Those who've come up since the vinyl era have no idea how cool this is. Seeing in this instance does provide a better approximation of being there than even a live album like Sam Cooke Live at the Harlem Square Club or Got Live If You Want It can give.
So here are five short pieces, designed to showcase the unbelievable wealth of great stuff that not so long ago was available to only a handful of fortunate obsessives. It's all live or quasi-live as far as I can tell, all old or really old (ya wanna see Amy Winehouse live, that means you're young enough to know how to do it without me), all really short (2 minutes or less--NB: this means if it doesn't play smoothly the first time around just wait 'til the end and click on replay and it'll play great), and all exciting as hell!
And being as it's me, there'll be a bit of commentary with each one.
Whew. The video says this is from 1960 but I'd swear that's the Duchess on rhythm and I'm pretty sure she didn't replace Lady Bo until 1962. Play it again and turn it up some this time.
Yep, yer lookin' at Woody Guthrie in one of the only two film clips known to exist of him. And yep, that's Sunny Terry and Brownie McGhee backing him up. History, y'all, our history.
And speaking of Woody, here's his greatest acolyte making the big break. This is Dylan on the legendary 1966 European tour with the Hawks (minus Levon Helm), where the culture clash over his "betrayal" of his acoustic, lefty, folk past made every show a battleground. This is here because it made the less than 2 minute cut, but to really get a sense of the historic moment, at YouTube enter "Dylan 1966" and rummage around. This does have that loose grind-y drive that's my favorite thing in rock and roll (and while you're at it, check out live videos of Them in '65 or the Faces or the Dolls or Slade in the early '70s for other variations).
Ruth Brown tears the Apollo apart in the mid-1950s. Check her tambourine.
Guy who posted this says it's field hands from Augusta, GA in 1929. Some amazing stuff in any event. While "Oh, Mary Don't You Weep" dates back to slavery days, it would later become an anthem we sang during the Civil Rights Movement. Guess the message of Pharaoh's army getting drownded always resonates. Note also that the banjo is still used by African Americans, though it is in the process of a transition that will make this most African of stringed instruments into an almost totally white-identified instrument, used in country, folk and polka, a backlash against blackface...
Okay, folks, now it's to you--post or link to great, live music (preferably at least 40 years old) on YouTube that's less than two minutes long. Beware lip-synchers...Read more!
